- These sans serif fonts are a designer favorite
- Franklin Gothic
- Jill Sans
These sans serif fonts are a designer favorite
The clean, clean lines of sans serif fonts are perennial favorites that designers return to time and time again. Within each group, there are several variations and variations, some of which are more suitable than others for body text. These classic sans serif fonts are presented in alphabetical order as font selection is a subjective art and few designers and typography enthusiasts agree with the ranking. You can purchase these classic sans serif fonts individually and as a family from online font resellers.
It is the classically drawn predecessor of Helvetica and Univers.
Drawn with geometric precision, Avant Garde is a bright title font that draws attention without overwhelming the main text. Condensed weights are also suitable for body text.
Franklin Gothic, a popular choice for newspaper copy, comes in a variety of sizes to make this sans serif more versatile. Compressed versions ensure high readability even in hard-to-reach places.
This clean, readable sans serif font from Adrian Frutiger was originally designed for signage, but works well for text and display as well. It has a certain subtle roughness that gives it a font that is warmer and friendlier than Helvetica and other early sans-serifs. Like most classics, Frutiger has many versions.
Longer rises and falls than comparable sans serifs, combined with geometric consistency, give Futura an elegant and practical look. The font is available in a variety of weights and is an excellent choice for both text and display.
Eric Gill’s popular and easy-to-read sans-serif has multiple weights to work equally well in text and on display.
One of the most popular typefaces, this sans serif font was originally designed by Max Miedinger in 1957. The introduction of Helvetica Neue brought consistency to the different weights that developed in typefaces in the 1960s and 1970s. Helvetica works well for many applications, from body text to billboards.
You will find many uses for this Adobe Originals font from the 1990s. Robert Slimbach, Carol Twombly, and others at Adobe contributed to the development of this modern sans serif font.
Herman Zapf created the Optima with conical lines that are almost like serif faces, but without the standard serifs. It is a stylish choice for text and display use.
Like the ever-popular Helvetica, the Adrian Frutiger Univers family includes 21 fonts. A full range of consistently designed weights make it a versatile choice for sans-serif fonts that work well with both text and display.